Modelling required
- by Simon Harris
- May 28, 2023
- 3 mins

How can we expect people who’ve never seen what good looks like to perform to their potential? It’s up to leaders to role model the behaviours we expect–and in my experience people crave it.
People with experience might not even realise they need to explicitly role model. Perhaps they’ve internalised what good looks like and think “surely it’s obvious?!” Even when they realise they need to role model, doing so might not come naturally, and a bit of coaching is in order.
I first heard about Andy Molinsky’s 5 psychological barriers to pushing outside our comfort zone via Leisa Molloy. I think at least 4 apply:
- Authenticity - When we feel like we’re performing, it can feel fake, foreign, and false–“This isn’t who I am!”
- Competence - In addition to feeling inauthentic, we might also feel like we’re not doing a good job–“They’re going to realise I’m an imposter!”
- Resentment - This usually manifests as frustration or annoyance at the very fact that we have to do this in the first place–“These people should know this already. They’re paid as much if not more than I am. Why am I always the one to have to drive things?!” or “I’m a parent at home. I just want to come to work and deliver, not parent work colleagues as well.”
- Likeability - In this case, we might worry that people will stop liking us for being a version of ourselves they are unfamiliar with–“I’m usually the quiet one. They might think I’m ego-centric and that I’m trying to prove how good I am.”
(For the record, my two biggest challenges are always Authenticity and Resentment with Competence running a close third.)
In my 20’s, I had a friend who was a student at the Australian Ballet School. I would go and watch them practice regularly. For hours on end they would go over the same moves, the same techniques, the same routines.
One day I went to a performance. Even though they were students, they made it seem so natural–the graceful movements, the interaction between the characters, the sets, the costumes, … Afterwards, I met my friend at the backstage door. As they came out to greet me I was taken aback. They had yet to remove their makeup and it was, to be blunt, hideous! It had never occurred to me that making dancers’ appearance realistic to the audience required makeup that was over the top.
Inside your own head, explicit role modelling can seem a bit like wearing stage makeup–unnatural and inauthentic; to the audience, it seems natural and authentic–because it is!
Deliberately growing and developing people requires role modelling, and role modelling takes practice, vulnerability, and pushing outside your comfort zone.